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Reconciliation, longing, and ambiguity combine in one astounding locale: Springdale. Is it a mundane New England town on a picturesque river, or the nexus of the paradoxical?
Springdale appears to be a quiet village, unblemished by shopping mall or mega-store. The town sits in a fertile valley, surrounded by countryside rich in natural wonder. Summers, tourists attend the area's many arts and music festivals, and hikers crowd the trails. In the fall, reds and yellows of turning leaves decorate the landscape, and in winter, mountain resorts fill with avid skiers.
But some say Springdale exists only on the contoured highways of our collective imagination. Others point to references dating back to Colonial Boston, to multiple versions of a ballad telling a story of remorse and disgrace.
Here are three facts: 1. Maps cannot be trusted; 2. All History is awash with fraud and hoax; 3. Springdale is an absence of identity.
For two people, a lawyer named Patrick Travis and a television actor named Richard Shelling, Springdale is home and anti-home, a place of comfort and a distortion of everyday life. They are strangers to each other, yet connected. Their lives will intersect with a force that shatters both.
This edition includes a specially written afterword by the author.
"Springdale is told in a deceptively muted style and cunningly crafted so that the story appears to assemble itself around the reader like a trap he or she has sprung, yet remains innocent-looking until the end, when a spring-loaded hammer smashes down." - Lucius Shepard
"no need for Lovecraftian monsters or rampaging serial killers to transform Springdale into a seriously creepy place. An old ballad suggests that one death haunts this village, but Wexler deviously, almost casually, creates a sense of wrongness that goes well beyond some past saga of jealousy and murder. Don't read this one right before bedtime - or your next road trip." - Faren Miller, Locus Magazine
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